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Anthony Ellis-Henry

vermelho-veneno:

Buzz Lightyear by Danny Luvisi

vermelho-veneno:

Buzz Lightyear by Danny Luvisi

— 4 days ago with 4 notes
vermelho-veneno:

Buzz Lightyear by Danny Luvisi

vermelho-veneno:

Buzz Lightyear by Danny Luvisi

— 4 days ago with 4 notes

devidsketchbook:

Settlements and City Strategies by Lekan Jeyifous

Lekan Jeyifo (tumblr / twitter)

This series contains abstracted planimetric drawings and eerily-serene cityscapes that suggest the changing contours of urban settlements. They represent an idea of a degenerate futurism, yet one might find similar typologies and scenes in places such as the favelas of Brazil and North Africa, and in overpopulated cities such as Lagos, Mexico City, and Mumbai. Though outputted digitally, the drawings possess a textured and painterly quality as a result of combining hand-drawn sketches, industrial textures, surfaces of deteriorated paper, and digital architectural models.
A constant interplay between digital and analog processes is important in my work, resulting in a highly layered set of documents. The drawings presented here started out as digital images that were outputted, sketched and drawn over, and scanned back into the computer in order to be retraced, textured, and layered

— 4 days ago with 2620 notes

devidsketchbook:

CAMERA OBSCURA BY  ABELARDO MORELL

Photographer Abelardo Morell - “I made my first picture using camera obscura techniques in my darkened living room in 1991. In setting up a room to make this kind of photograph, I cover all windows with black plastic in order to achieve total darkness. Then, I cut a small hole in the material I use to cover the windows. This opening allows an inverted image of the view outside to flood onto the back walls of the room. Typically then I focused my large-format camera on the incoming image on the wall then make a camera exposure on film. In the beginning, exposures took from five to ten hours”. [see more]

— 4 days ago with 2443 notes